I feel like this battle is probably futile but I didn’t know if there was a reasonable alternative strategy to what seems like it should be a painless task. Etch might know.This part is a bit of a joke, of course. co./et al to submit cue sheets, but I am not 100% sure on that.
I believe that there is a legal obligation for the producer/prod. Maybe they can put you in touch with someone? I didn't see if you said anywhere that you have tried contacting the film studio or producer(s) - have you? Who did you answer to when you scored the film. It will be at least several hundred dollars - probably more into the thousands to hire an attorney qualified to take care of this for you. Surely these folks would be interested in getting paid as well and submitting the cue sheet couldn’t be avoided?Īm I shouting at clouds, should i just drop it, or is there any chance an entertainment lawyer would be worth the expense to collect possibly tens of dollars in royalties? In addition to my music, there are a few external licensed tunes from well known artists listed on the cue sheet.
No one will respond to me or my management. Ascap has told me they’ve not received it, and won’t take it directly from me of course. Several times over 2017 I’ve reached out to a lot of folks.management, Ascap, the financier, the studio. I waited a bit for it to show up in Ascap.nothing. They received it along with everything else I did on schedule, of course. The trouble I’m having is i have hit a brick wall in getting the cue sheet submitted. It recently was released to disc in Europe and possibly other markets. The film was picked up by a distributor and formally released to a handful of theaters late 2016, came out on DVD/Blu ray in the US in the first quarter and has been on Netflix US/some other services most of 2017. I scored an “indie” (probably considered a big indie, over $4 million budget) Film, and wrote some rock theme songs for it also.
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